Browse Items (14 total)
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American Ornithology, or, the Natural History of the birds of the United States, 1808-1814
The natural history of the birds of the United States: illustrated with plates, engraved and colored from original drawings taken from nature.Tags art; artists; birds; faw object; imprints; lithograph; natural history; naturalist; ornithology; pamphlets; science -
Drawing of coffee nut tree seed pod, 1816
A sketch of the coffee nut tree seed pod from the last page of a letter from Dr. Charles Wilkins Short to Dr. Daniel Drake. -
Hero of the Wabash, circa 1791
Broadside entitled "Hero of the Wabash." Includes a poem telling of the cowardice of a "Captain Paul" during the Indian Wars and an engraving of an Army officer running from an attacking Native American. Captain Paul is not identified but it is believed that the broadside dates to either Harmar's or St. Clair's defeat in the Ohio country. -
Hunters of Kentucky, ca. 1815
Broadside poem describing the valor of Kentuckians at the Battle of New Orleans. -
Hunters of Kentucky, or Half Horse and Half Alligator, circa 1815
Printed broadside with a woodcut illustration and a poem describing the valor of Kentuckians at the Battle of New Orleans. The illustration pictures a half horse and half alligator as a horse with an alligator tail. -
Letter from Anna Blake to Harriet Corlis, 25 December 1819
Letter from Anna Blake to Harriet Corlis sending well wishes for the upcoming Christmas, including a gift for her. She relates that she is learning to draw in crayons, stating "Mr. Audubon who is my Master is very good natured and is perfect master of the Art." -
Letter from Daniel Chapman Banks to Martha Ann Banks, 12 June 1815
In a letter dated 12 June 1815, Banks writes to his wife about visiting Dr. Samuel Morse. While he is there Morse's son receives a painting, Dying Hercules, from England. Banks describes both the Morse family and the painting. -
Letter from John J. Audubon to Lucy Audubon, 19 January 1827
Written from Edinburgh to Louisiana, he talks about the influential people he's met in england and edinburgh and subscribers to his bird publications, painting and attending lectures and debates regularly, elected to several prestigious societies, reminds her to collect natural history objects for him. -
Miniature portrait of Ann Rogers Clark Gwathmey, circa 1804-1805
In the era before photography, miniature portraits were popular mementos of loved ones that could be easily carried across long physical distances. The watercolor on ivory portraits were desired for the way artists could accurately capture a subject, working in such small dimensions. Ann Rogers Clark Gwathmey (1755-1822) was the sister of George Rogers Clark and William Clark. She was married to Owen Gwathmey. She and her husband moved to Louisville with at least five of their twelve children in 1797. They purchased 335 acres and built a home near Harrod's Creek, east of Louisville not very far from her sister Lucy Croghan's home at Locust Grove. The proximity to her sister and other family members ensured that Ann had a strong social network to rely on. The Gwathmeys enslaved twenty individuals on their estate, whose labor created economic advantage and comfort for the family. The portrait is attributed to Benjamin Trott and believed to have been painted when the miniatures of her son John and his wife Ann were painted. -
Miniature portrait of John Gwathmey, circa 1804-1805
John Gwathmey (1774-1824) migrated to Jefferson County, KY, as a child with his parents Owen and Ann Clark Gwathmey. He married Ann Booth Gwathmey in 1800. He bought five acres near 6th and Cedar streets in Louisville, where he built a two-story brick house later known as the Grayson House. He operated the Indian Queen, a hotel at 6th and Main Streets, and an important social and civic hub in the city. In 1816, he sold his home and moved his family to New Orleans where he operated the Merchants Coffee House, the oldest coffee house in the city. In the era before photography, miniature portraits were popular mementos of loved ones that could be easily carried across long physical distances. The watercolor on ivory portraits were desired for the way artists could accurately capture a subject, working in such small dimensions. The portrait is attributed to Benjamin Trott. -
Portrait of Abigail Oldham Churchill, circa 1845
Abigail Oldham Churchill came from a lineage of wealthy and prominent early Louisvillian settlers. She was just two years old when her father, Colonel William Oldham, died in the Battle of Wabash. Her mother, Penelope Pope, a twenty-two-year-old widow with four children, remarried into the Churchill family. In 1802, two weeks after her fourteenth birthday, Abigail married Samuel Churchill, her step-father's twenty-four-year-old brother. She gave birth to their first child when she was fifteen and had a child almost every other year over a span of thirty years. She had her last of fifteen children when she was forty-four years of age. -
Portrait of Jemima Pearsall Castleman
Jemima Pearsall Castleman married Johannes "Lewis" Castleman in Frederick, Virginia, in 1765, when she was approximately fifteen years of age. She was the mother of eight children that were born between 1770 and 1797. She came to the frontier with her husband sometime between 1787 and 1800. They lived on a farm along Clear Creek in Woodford County that included a tannery and a distillery that made apple brandy. The Castlemans enslaved ten persons in 1810 and eighteen persons in 1819. -
Portrait of Johannes Lewis Castleman (1744-1828)
Johannes "Lewis" Castleman was born in 1744 in Stone Arbria, Tryon County, in the English colony of New York. In 1765, he married Jemima Margaret Pearsall in Frederick, Virginia. He first appears in Kentucky records in 1787 in a petition that established Charlestown, and again in 1788 when Woodford County was carved out of Fayette County. He had a farm along Clear Creek, which included a tannery and a distillery that made apple brandy. He enslaved ten persons in 1810 and eighteen persons in 1819. -
Portrait of Samuel Oldham Churchill, circa 1845
Samuel Churchill moved from Virginia to Kentucky when he was eight years old. He owned 415 acres of land along Beargrass Creek. The Churchills enslaved thirty-six individuals whose labor created economic advantage and comfort for the family. He had an interest in horse breeding and was president of the Louisville Association for the Improvement of Breed of Horses. Samuel Churchill was one of seven founding trustees of the Oakland Racecourse in Louisville in early 1832, which was located on fifty-one acres of land purchased from Samuel and Abigail Churchill, as well as from other landholders. His sons, John and Henry, inherited land from Samuel, which they leased to his nephew Meriwether Lewis Clark Jr., founder of a new racecourse known today as Churchill Downs.