Skip to main content
The Filson Historical Society Digital Projects The Filson Historical Society Digital Projects
The Filson Historical Society Digital Projects

Browse Items (85 total)

  • A sketch of the coffee nut tree seed pod from the last page of a letter from Dr. Charles Wilkins Short to Dr. Daniel Drake.
    Tags ; ; ;

  • Daniel Chapman Banks was a Louisville Presbyterian minister. The diary chronicles his 1815-1816 trip from Connecticut to Louisville in which he travels through New Yok, Pennsylvania, and Ohio. This diary entry discusses Native American mounds.
    Tags ; ; ;

  • Daniel Chapman Banks was a Louisville Presbyterian minister. The diary chronicles his 1815-1816 trip from Connecticut to Louisville in which he travels through New Yok, Pennsylvania, and Ohio. This diary entry discusses murders committed by Native Americans.
    Tags ; ;

  • Daniel Chapman Banks was a Louisville Presbyterian minister. The diary chronicles his 1815-1816 trip from Connecticut to Louisville in which he travels through New Yok, Pennsylvania, and Ohio. This diary entry describes the death of a woman's baby.
    Tags ; ; ;

  • Daniel Chapman Banks was a Louisville Presbyterian minister. The diary chronicles his 1815-1816 trip from Connecticut to Louisville in which he travels through New Yok, Pennsylvania, and Ohio. In this diary entry, Banks gives an extensive account of the earthquake in New Madrid, Missouri, as it was told to him by a Mr. Hayes.
    Tags ; ; ; ; ;

  • Strippy quilt credited to Elizabeth Tyler Sturgeon of Jefferson County, Kentucky. Elizabeth married Thomas Sturgeon in 1816. After he died in 1823, she managed their farm and raised three young sons. Her father, Edward Tyler II, enslaved up to fourteen people. Elizabeth herself enslaved seven people whose labor sustained both the household and the farm. This forced labor enabled the production of textiles like this quilt. Homespun fabric alone could not fulfill the amount of cloth needed by a single household. Fancy imported cloth was preferred for special textiles and dressier clothing. Fabric like the indigo printed calico used in this quilt was imported from Britain and sold by Kentucky merchants. The fabric was expensive as it was imported into Philadelphia, carried overland by wagon, and then floated down the Ohio River via flatboat to Louisville. Or it was transported up the Mississippi and Ohio rivers against the current, via man-powered keelboats or barges from the Port of New Orleans. Eliza supplemented this expensive fabric with a hand-woven overshot fabric that was frugally pieced together and perhaps upcycled from a previous textile, such as bed curtains, window curtains, or a dress. 
    Tags ; ; ;

  • Early style teaspoon with egg-shaped bowl and slender handle widening to a modified coffin style. Undecipherable monogram on end of handle. "SA" stamped in rectangular cartouche. Also a winged eagle, looking left.
    Tags ;

  • This sampler was made by Mary Ann Logan in Shakertown, Kentucky. Samplers were a staple in the education of girls. The samplers were designed to teach needlework skills needed for household duties and could be a symbol of the girl's culture, religion, social class, and personal accomplishments. Sampler making was seen as the ground work for civic, social, and familial responsibility.
    Tags ; ; ; ; ;

  • A piece of tow linen (has a coarse texture) used for a bedtick, a bag shaped mattress stuffed with feathers and straw. Likely the fiber for this coverlet was cultivated on the family farm. Another textile from this family came with a note stating that according to family narrative that the flax was grown, spun, and woven by enslaved persons on the Winton Plantation. Elizabeth and/or an enslaved person may have spun the fiber at home, then it was likely turned over to an enslaved weaver.
    Tags ; ; ; ;

  • Raised embroidery whitework (also known as candle wicking) coverlet with a tufted basket and grape design. The family narrative states the coverlet was homespun from cotton grown on the farm of James Nicholls and Margaret Randolph Nicholls in Muhlenberg County, Kentucky. Whitework textiles were most prevalent in Kentucky between 1800 and the 1830s, and typically made by teenage girls. Elizabeth Randolph Nicholls Godman was aged fifteen when she made this coverlet. Likely the fiber for this coverlet was cultivated on the family farm. Elizabeth may have spun the fiber or taken it to a spinner (free or enslaved person), and then turned it over to a professional weaver in her community. Elizabeth would have then hand stitched the elaborate embroidered design.
    Tags ; ; ;

  • Hand-woven linen sheet credited to Elizabeth Tyler Sturgeon. Elizabeth married Thomas Sturgeon in 1816. After he died in 1823, she managed their farm and raised three young sons. Her father, Edward Tyler II, enslaved up to fourteen people. Elizabeth herself enslaved seven people whose labor sustained both the household and the farm. This forced labor enabled the production of textiles like this sheet. It is made from two thirty-eight-inch-wide panels that were hand-sewn together. The edges are unfinished. Eliza and/or enslaved laborers cultivated and processed flax into yarn for weaving. Historical records suggest that an unidentified enslaved woman played a key role in managing the household and supervising other enslaved laborers after Thomas’s death. In 1833, Eliza died from cholera, leaving behind three children under the age of eighteen.
    Tags ; ; ; ; ;

  • Hand-woven cotton coverlet credited to Elizabeth Tyler Sturgeon. Elizabeth married Thomas Sturgeon in 1816. After he died in 1823, she managed their farm and raised three young sons. Her father, Edward Tyler II, enslaved up to fourteen people. Elizabeth herself enslaved seven people whose labor sustained both the household and the farm. This forced labor enabled the production of textiles like this coverlet. As cotton wasn’t generally grown in Jefferson County, Kentucky, Eliza likely acquired cotton yarn or raw cotton from a local merchant. She and/or enslaved laborers would have processed raw cotton and spun it into yarn for weaving. Two 36-inch-wide woven panels were sewn together by hand to make a textile large enough for a bed. Historical records suggest that an unidentified enslaved woman played a key role in managing the household and supervising other enslaved laborers after Thomas’s death. In 1833, Eliza died from cholera, leaving behind three children under the age of eighteen.
    Tags ; ; ; ; ;

  • Unfinished cotton counterpane credited to Elizabeth Tyler Sturgeon. Elizabeth married Thomas Sturgeon in 1816. After he died in 1823, she managed their farm and raised three young sons. Her father, Edward Tyler II, enslaved up to fourteen people. Elizabeth herself enslaved seven people whose labor sustained both the household and the farm. This forced labor enabled the production of textiles like this counterpane. As cotton wasn’t generally grown in Jefferson County, Kentucky, Eliza likely acquired already-made cotton fabric, cotton yarn, or raw unspun cotton from a local merchant. Eliza drew a floral design onto the cloth using a pencil, and she attached a very coarse, loosely woven fiber onto the back. She then hand-stitched around the penciled design. This work was never finished as the stems would have been stuffed with yarn to give them dimension, and all the flowers would have been stuffed with cotton or wool batting in a style known as trapunto. Either she or someone else cut a rectangular piece out of the unfinished work. Historical records suggest that an unidentified enslaved woman played a key role in managing the household and supervising other enslaved laborers after Thomas’s death. In 1833, Eliza died from cholera, leaving behind three children under the age of eighteen.
    Tags ; ; ; ; ; ;

  • Household linen, hand-woven in a huckaback pattern, credited to Elizabeth Tyler Sturgeon. Elizabeth married Thomas Sturgeon in 1816. After he died in 1823, she managed their farm and raised three young sons. Her father, Edward Tyler II, enslaved up to fourteen people. Elizabeth herself enslaved seven people whose labor sustained both the household and the farm. This forced labor enabled the production of textiles like this household linen. Eliza and/or enslaved laborers cultivated and processed flax into yarn for weaving. Historical records suggest that an unidentified enslaved woman played a key role in managing the household and supervising other enslaved laborers after Thomas’s death. In 1833, Eliza died from cholera, leaving behind three children under the age of eighteen.
    Tags ; ;

  • Household linen, hand-woven in a huckaback pattern, credited to Elizabeth Tyler Sturgeon. Elizabeth married Thomas Sturgeon in 1816. After he died in 1823, she managed their farm and raised three young sons. Her father, Edward Tyler II, enslaved up to fourteen people. Elizabeth herself enslaved seven people whose labor sustained both the household and the farm. This forced labor enabled the production of textiles like this household linen. Eliza and/or enslaved laborers cultivated and processed flax into yarn for weaving. Historical records suggest that an unidentified enslaved woman played a key role in managing the household and supervising other enslaved laborers after Thomas’s death. In 1833, Eliza died from cholera, leaving behind three children under the age of eighteen.
    Tags ; ; ; ;

  • Replace Description with text below:

    Household linen, hand-woven in a huckaback pattern, credited to Elizabeth Tyler Sturgeon. Elizabeth married Thomas Sturgeon in 1816. After he died in 1823, she managed their farm and raised three young sons. Her father, Edward Tyler II, enslaved up to fourteen people. Elizabeth herself enslaved seven people whose labor sustained both the household and the farm. This forced labor enabled the production of textiles like this household linen. Eliza and/or enslaved laborers cultivated and processed flax into yarn for weaving. Historical records suggest that an unidentified enslaved woman played a key role in managing the household and supervising other enslaved laborers after Thomas’s death. In 1833, Eliza died from cholera, leaving behind three children under the age of eighteen.
    Tags ; ; ; ; ;

  • Household linen, hand-woven in a huckaback pattern, credited to Elizabeth Tyler Sturgeon. Elizabeth married Thomas Sturgeon in 1816. After he died in 1823, she managed their farm and raised three young sons. Her father, Edward Tyler II, enslaved up to fourteen people. Elizabeth herself enslaved seven people whose labor sustained both the household and the farm. This forced labor enabled the production of textiles like this household linen. Eliza and/or enslaved laborers cultivated and processed flax into yarn for weaving. Historical records suggest that an unidentified enslaved woman played a key role in managing the household and supervising other enslaved laborers after Thomas’s death. In 1833, Eliza died from cholera, leaving behind three children under the age of eighteen.
    Tags ; ; ; ; ; ;

  • Linen towel, hand-woven in a huckaback pattern, credited to Elizabeth Tyler Sturgeon. Elizabeth married Thomas Sturgeon in 1816. After he died in 1823, she managed their farm and raised three young sons. Her father, Edward Tyler II, enslaved up to fourteen people. Elizabeth herself enslaved seven people whose labor sustained both the household and the farm. This forced labor enabled the production of textiles like this towel. Eliza and/or enslaved laborers cultivated and processed flax into yarn for weaving. Historical records suggest that an unidentified enslaved woman played a key role in managing the household and supervising other enslaved laborers after Thomas’s death. In 1833, Eliza died from cholera, leaving behind three children under the age of eighteen. 
    Tags ; ; ; ; ; ;

  • Cotton pillowcase credited to Elizabeth Tyler Sturgeon. Elizabeth married Thomas Sturgeon in 1816. After he died in 1823, she managed their farm and raised three young sons. Her father, Edward Tyler II, enslaved up to fourteen people. Elizabeth herself enslaved seven people whose labor sustained both the household and the farm. This forced labor enabled the production of textiles like this pillowcase. As cotton wasn’t generally grown in Jefferson County, Kentucky, Elizabeth likely acquired already-made cotton fabric, cotton yarn, or raw unspun cotton from a local merchant. Drawn thread work is a form of counted-thread embroidery in which threads are removed from the warp or weft to create a decorative design.
    Tags ; ; ; ;

  • Mourning bracelet made of twisted gold wire, copper pearl, and the hair of Priscilla Christian Bullitt. Inscribed with the initials of Bullitt (P.C.B.), who was the daughter of William Christian and Annie Henry Christian, major landowners, enslavers, and operators of salt works in Kentucky. In 1785, Priscilla married Alexander Scott Bullitt at the age of fifteen. Her father William gave the couple 1,000 acres of land as a wedding present. Part of this land was sold and additional land purchased, which became Oxmoor Plantation. She gave birth to four children between 1786 and 1793, and the family lived in a four-room wooden house.
    Tags ; ; ; ;
Output Formats

atom, dcmes-xml, json, omeka-xml, rss2