Browse Items (77 total)
-
Silver teaspoon
Coin silver teaspoon engraved "Lemon" on the front side of the handle. The bowl is egg-shaped and has a flat edge. The handle has rounded flanges near the bowl and ends in a fiddle style pattern. Marked on reverse: Jas. I. Lemon. -
Silver fork
Child's fork with convex curved handle. The handle is decorated with a raised outline, repousse leaves, and a monogram. The back of the handle has more vegetative repousse designs with 4 square marks of "J S & Co." and "Jas. I. Lemon & Co" (retailer). -
A Tudor Revival Christmas model
Mixed media model of a Tudor Revival home decorated for Christmas. The model was displayed in the Olde England on the Ohio exhibit at the Filson Historical Society in 2022-2023. -
Bars quilt
Quilt belonging to Elizabeth Tyler Sturgeon. The quilt has strips of hand-woven cloth believed to have been made locally in Jefferson County, Kentucky, alternating with a commercial indigo print that was imported into the United States. The quilt, the oldest quilt in the Filson's collection, is more than 100 inches long on each side and was completely hand-stitched. Eliza married Thomas Sturgeon in 1816, who died seven years into their marriage in 1822. Eliza then took on the responsibility of managing their farm in addition to rearing her three young sons. Eliza enslaved seven people who provided crucial labor for the success of the farm and household. After her husband died, an unidentified enslaved woman helped Eliza manage the farm. In 1833, Eliza died from cholera leaving her three sons, all under the age of eighteen, to live with her brother. -
Hank of wool
Hank of wool from Buchanan, Kentucky. Sheep were among the early domesticated animals brought to Kentucky. Home production of wool increased during the Revolutionary War and the War of 1812 due to trade embargos. Free and enslaved women prepared and spun the wool into a usable yarn. They used the yarn for knitting, or it was taken to a professional weaver (free or enslaved person) who turned it into cloth. Wool was often woven with cotton or hemp in early Kentucky textiles. Approximately 4/12 lbs. of spun wool were needed to make a single blanket. Wool cloth was also sewn into clothing by women. -
Linen and cotton sheet, circa 1820-1830
An 'M's & O's' patterned sheet made of linen and cotton. The family narratives for this linen sheet states that it was made in 1816 by Betsy Breckinridge Meredith, sister of John Breckinridge. Family narrative also states the flax was grown, spun, and woven by enslaved people on the Winton Plantation. Enslaved women and men were skilled spinners, weavers, and seamstress on the frontier. Their skilled labor made life easier and more comfortable for their enslavers. -
Piece of tow linen, circa 1813
A piece of tow linen (has a coarse texture) used for a bedtick, a bag shaped mattress stuffed with feathers and straw. Likely the fiber for this coverlet was cultivated on the family farm. Another textile from this family came with a note stating that according to family narrative that the flax was grown, spun, and woven by enslaved persons on the Winton Plantation. Elizabeth and/or an enslaved person may have spun the fiber at home, then it was likely turned over to an enslaved weaver. -
Coverlet, circa 1816
Raised embroidery whitework (also known as candle wicking) coverlet with a tufted basket and grape design. The family narrative states the coverlet was homespun from cotton grown on the farm of James Nicholls and Margaret Randolph Nicholls in Muhlenberg County, Kentucky. Whitework textiles were most prevalent in Kentucky between 1800 and the 1830s, and typically made by teenage girls. Elizabeth Randolph Nicholls Godman was aged fifteen when she made this coverlet. Likely the fiber for this coverlet was cultivated on the family farm. Elizabeth may have spun the fiber or taken it to a spinner (free or enslaved person), and then turned it over to a professional weaver in her community. Elizabeth would have then hand stitched the elaborate embroidered design. -
Tablecloth, 1800-1825
Handwoven, linen tablecloth belonging to Elizabeth Tyler Sturgeon. Elizabeth married Thomas Sturgeon in 1816, who died only seven years into their marriage. Elizabeth then took on the responsibility of managing their farm while also raising her three young sons. Elizabeth enslaved seven people who provided crucial labor that contributed to the success of the farm and household. After her husband died, an unidentified enslaved woman helped Elizabeth manage the farm. In 1833, Eliza died from cholera, leaving her three sons, all under the age of eighteen, to live with her brother. We can’t say with certainty that Eliza made this textile because weaving was generally done by professional male weavers or enslaved men and women. Either Eliza and/or an enslaved laborer may have spun fibers that were cultivated on her farm, and then turned over to a weaver to make into cloth. The woven panels would have then been seamed and hemmed at home. There is evidence there may have been a loom house on one of the neighboring Tyler family farms. -
Tablecloth, 1800-1825
Handwoven, linen tablecloth belonging to Elizabeth Tyler Sturgeon. Elizabeth married Thomas Sturgeon in 1816, who died only seven years into their marriage. Elizabeth then took on the responsibility of managing their farm while also raising her three young sons. Elizabeth enslaved seven people who provided crucial labor that contributed to the success of the farm and household. After her husband died, an unidentified enslaved woman helped Elizabeth manage the farm. In 1833, Eliza died from cholera, leaving her three sons, all under the age of eighteen, to live with her brother. We can’t say with certainty that Eliza made this textile because weaving was generally done by professional male weavers or enslaved men and women. Either Eliza and/or an enslaved laborer may have spun fibers that were cultivated on her farm, and then turned over to a weaver to make into cloth. The woven panels would have then been seamed and hemmed at home. There is evidence there may have been a loom house on one of the neighboring Tyler family farms. -
Tablecloth, 1800-1825
Handwoven, linen tablecloth belonging to Elizabeth Tyler Sturgeon. Elizabeth married Thomas Sturgeon in 1816, who died only seven years into their marriage. Elizabeth then took on the responsibility of managing their farm while also raising her three young sons. Elizabeth enslaved seven people who provided crucial labor that contributed to the success of the farm and household. After her husband died, an unidentified enslaved woman helped Elizabeth manage the farm. In 1833, Eliza died from cholera, leaving her three sons, all under the age of eighteen, to live with her brother. We can’t say with certainty that Eliza made this textile because weaving was generally done by professional male weavers or enslaved men and women. Either Eliza and/or an enslaved laborer may have spun fibers that were cultivated on her farm, and then turned over to a weaver to make into cloth. The woven panels would have then been seamed and hemmed at home. There is evidence there may have been a loom house on one of the neighboring Tyler family farms. -
Weaving reed, circa 1800
Weaving reeds are a part of weaving looms that are used to separate and space the warp threads, which guides the shuttle’s movement across the loom and pushes weft threads into place. Reeds were interchangeable and different reeds were used to make different types of fabric. Despite many family narratives that claim female ancestors wove the textiles, generally weaving was a profession for men. However, there were exceptions, and in the Kentucky frontier there is evidence that enslaved men and women were also skilled weavers. More likely, the fiber was cultivated and harvested on the family farm. It was then prepared and spun into yarn by women who then turned it over to trained weavers who made it into cloth, which might be finished at home or sewn into clothing. In the early 20th century, during a revival of frontier craft, weaving became a skilled craft dominated by women. -
Spinning wheel belonging to the Slaughter Family, circa 1800
This spinning wheel is said to have belonged to Caldweller Slaughter who came to Kentucky as early as 1787. It could also have come from the family of one of his wives. His first wife, Margaret Ransdell Slaughter, died in 1786. Some sources indicate he may have remarried Mary Fowke who died a few years later (unverified). He then married Lucy Slaughter in 1790. Slaughter owned 200 acres in the area today known as Cherokee Triangle in Louisville. Spinning wheels were crucial to early pioneer families. Generally, weaving was a professional occupation for men, and in Kentucky was also done by enslaved men and women. Spinning on the other hand, was a woman’s task and was done in between gardening, milking, preserving crops, cooking food, making/mending clothes, doing laundry, and rearing children. Fiber was painstakingly cultivated, processed, and spun on the family farm and then taken to a community weaver to be made into cloth, which might be finished at home or sewn into clothing. Approximately 3 lbs. of spun flax or 4/12 lbs. of spun wool was needed to make a single sheet or blanket. Spinning wheels, for some American women, were more than just tools and were also political statements. Prior to the American Revolution, and then during the embargos of the War of 1812 some colonial women (particularly in New England) hosted and participated in 'Spinning Bees' to create yarn and thread to boycott English-made goods. -
Flax Paddle, circa 1800
Flax paddles were used for scutching, part of the process for 'dressing' flax, or getting it prepped for spinning. The paddles separated the hard stocks from the useable fiber underneath. It took 4 months to grow flax from seed. It was beaten with the paddle until fibers could be pulled by hand through a hatchel to separate the fibers, which were then bundled and hung for drying to prepare them for spinning. Flax is one of the oldest cultivated crops in the world. It was an important crop during the colonial and early frontier era. Until the invention of the cotton gin, flax was easier to harvest and process. In Kentucky, it was commonly used in handwoven household linens. Historians estimate that families needed about ¼ to ½ acre of flax per person in a household. -
"Topsy Turvy" Doll
A small doll from an unknown time period, most likely during the early twentieth century. The doll has two sides: one girl with dark skin and black hair poking from her red hood, and a girl with light skin behind her white dress. The two girls are tethered at the hip, and when one side of the doll is flipped, the other side is revealed. It is unknown who exactly made this specific doll, who would have played with it, or when it would have been made. -
Old Louisville Legion drum.
Drum of Louisville Legion. The drum has a wooden cylindrical body which supports on three sides a layer of green paint, and in front an image of a soldier. To the left of the image, is painted, "Louisville Legion 1840," and to the left of that, "Kentucky Rifles 3'd CO. L.L.," which stands for third company of the Louisville Legion. Brass brads secure the cylinder. The bottom and top are similar, both having leather stretched on thin wooden hoops which fit over the edge of the cylindrical body. Also, on each end are two thick wooden bands, painted in red, which contain holes through which the ropes were tied.
This drum was used in the field band of the Louisville Legion during the march to the Mexican War in June 1846. The drum was also used in the Civil War by the Louisville Legion, known as the Fifth Kentucky Infantry and was used during the Spanish-American War. -
George Washington Inaugural Centennial Medal.
Front and back view of a George Washington Inaugural Centennial Medal that was given out to those who participated in the centennial parade in New York City. -
Mourning Quilt, circa 1882
Mourning quilt made by Elizabeth H. Bates Durrett (1831-1889) who lost one daughter, Florence Montgomery Durrett (1863-1869) at age six and a second daughter, Lily Bates Durrett (1859-1881) at the age of 21. The mourning quilt was made using material from her daughters' clothing. -
Jet Cross Necklace
Mourning necklace belonging to Ann Booth Gwathmey (1782-1862), married to John Gwathmey (1774-1824) in on 22 July 1800 -
Dress of Hattie Leona Main (1873-1876)
Dress of Hattie Leona Main (1873-1876) depicted in a painting to memorialize her life when she passed away in 1876.