Browse Items (23 total)
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Strippy quilt
Strippy quilt credited to Elizabeth Tyler Sturgeon of Jefferson County, Kentucky. Elizabeth married Thomas Sturgeon in 1816. After he died in 1823, she managed their farm and raised three young sons. Her father, Edward Tyler II, enslaved up to fourteen people. Elizabeth herself enslaved seven people whose labor sustained both the household and the farm. This forced labor enabled the production of textiles like this quilt. Homespun fabric alone could not fulfill the amount of cloth needed by a single household. Fancy imported cloth was preferred for special textiles and dressier clothing. Fabric like the indigo printed calico used in this quilt was imported from Britain and sold by Kentucky merchants. The fabric was expensive as it was imported into Philadelphia, carried overland by wagon, and then floated down the Ohio River via flatboat to Louisville. Or it was transported up the Mississippi and Ohio rivers against the current, via man-powered keelboats or barges from the Port of New Orleans. Eliza supplemented this expensive fabric with a hand-woven overshot fabric that was frugally pieced together and perhaps upcycled from a previous textile, such as bed curtains, window curtains, or a dress. -
Coverlet, circa 1816
Raised embroidery whitework (also known as candle wicking) coverlet with a tufted basket and grape design. The family narrative states the coverlet was homespun from cotton grown on the farm of James Nicholls and Margaret Randolph Nicholls in Muhlenberg County, Kentucky. Whitework textiles were most prevalent in Kentucky between 1800 and the 1830s, and typically made by teenage girls. Elizabeth Randolph Nicholls Godman was aged fifteen when she made this coverlet. Likely the fiber for this coverlet was cultivated on the family farm. Elizabeth may have spun the fiber or taken it to a spinner (free or enslaved person), and then turned it over to a professional weaver in her community. Elizabeth would have then hand stitched the elaborate embroidered design. -
Linen sheet, 1800-1825
Hand-woven linen sheet credited to Elizabeth Tyler Sturgeon. Elizabeth married Thomas Sturgeon in 1816. After he died in 1823, she managed their farm and raised three young sons. Her father, Edward Tyler II, enslaved up to fourteen people. Elizabeth herself enslaved seven people whose labor sustained both the household and the farm. This forced labor enabled the production of textiles like this sheet. It is made from two thirty-eight-inch-wide panels that were hand-sewn together. The edges are unfinished. Eliza and/or enslaved laborers cultivated and processed flax into yarn for weaving. Historical records suggest that an unidentified enslaved woman played a key role in managing the household and supervising other enslaved laborers after Thomas’s death. In 1833, Eliza died from cholera, leaving behind three children under the age of eighteen. -
Woven coverlet, 1800-1825
Hand-woven cotton coverlet credited to Elizabeth Tyler Sturgeon. Elizabeth married Thomas Sturgeon in 1816. After he died in 1823, she managed their farm and raised three young sons. Her father, Edward Tyler II, enslaved up to fourteen people. Elizabeth herself enslaved seven people whose labor sustained both the household and the farm. This forced labor enabled the production of textiles like this coverlet. As cotton wasn’t generally grown in Jefferson County, Kentucky, Eliza likely acquired cotton yarn or raw cotton from a local merchant. She and/or enslaved laborers would have processed raw cotton and spun it into yarn for weaving. Two 36-inch-wide woven panels were sewn together by hand to make a textile large enough for a bed. Historical records suggest that an unidentified enslaved woman played a key role in managing the household and supervising other enslaved laborers after Thomas’s death. In 1833, Eliza died from cholera, leaving behind three children under the age of eighteen. -
Unfinished counterpane, 1800-1825
Unfinished cotton counterpane credited to Elizabeth Tyler Sturgeon. Elizabeth married Thomas Sturgeon in 1816. After he died in 1823, she managed their farm and raised three young sons. Her father, Edward Tyler II, enslaved up to fourteen people. Elizabeth herself enslaved seven people whose labor sustained both the household and the farm. This forced labor enabled the production of textiles like this counterpane. As cotton wasn’t generally grown in Jefferson County, Kentucky, Eliza likely acquired already-made cotton fabric, cotton yarn, or raw unspun cotton from a local merchant. Eliza drew a floral design onto the cloth using a pencil, and she attached a very coarse, loosely woven fiber onto the back. She then hand-stitched around the penciled design. This work was never finished as the stems would have been stuffed with yarn to give them dimension, and all the flowers would have been stuffed with cotton or wool batting in a style known as trapunto. Either she or someone else cut a rectangular piece out of the unfinished work. Historical records suggest that an unidentified enslaved woman played a key role in managing the household and supervising other enslaved laborers after Thomas’s death. In 1833, Eliza died from cholera, leaving behind three children under the age of eighteen. -
Household linen, 1800-1825
Household linen, hand-woven in a huckaback pattern, credited to Elizabeth Tyler Sturgeon. Elizabeth married Thomas Sturgeon in 1816. After he died in 1823, she managed their farm and raised three young sons. Her father, Edward Tyler II, enslaved up to fourteen people. Elizabeth herself enslaved seven people whose labor sustained both the household and the farm. This forced labor enabled the production of textiles like this household linen. Eliza and/or enslaved laborers cultivated and processed flax into yarn for weaving. Historical records suggest that an unidentified enslaved woman played a key role in managing the household and supervising other enslaved laborers after Thomas’s death. In 1833, Eliza died from cholera, leaving behind three children under the age of eighteen. -
Household linen, 1800-1825
Household linen, hand-woven in a huckaback pattern, credited to Elizabeth Tyler Sturgeon. Elizabeth married Thomas Sturgeon in 1816. After he died in 1823, she managed their farm and raised three young sons. Her father, Edward Tyler II, enslaved up to fourteen people. Elizabeth herself enslaved seven people whose labor sustained both the household and the farm. This forced labor enabled the production of textiles like this household linen. Eliza and/or enslaved laborers cultivated and processed flax into yarn for weaving. Historical records suggest that an unidentified enslaved woman played a key role in managing the household and supervising other enslaved laborers after Thomas’s death. In 1833, Eliza died from cholera, leaving behind three children under the age of eighteen. -
Household linen, 1800-1825
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Household linen, hand-woven in a huckaback pattern, credited to Elizabeth Tyler Sturgeon. Elizabeth married Thomas Sturgeon in 1816. After he died in 1823, she managed their farm and raised three young sons. Her father, Edward Tyler II, enslaved up to fourteen people. Elizabeth herself enslaved seven people whose labor sustained both the household and the farm. This forced labor enabled the production of textiles like this household linen. Eliza and/or enslaved laborers cultivated and processed flax into yarn for weaving. Historical records suggest that an unidentified enslaved woman played a key role in managing the household and supervising other enslaved laborers after Thomas’s death. In 1833, Eliza died from cholera, leaving behind three children under the age of eighteen. -
Household linen, 1800-1825
Household linen, hand-woven in a huckaback pattern, credited to Elizabeth Tyler Sturgeon. Elizabeth married Thomas Sturgeon in 1816. After he died in 1823, she managed their farm and raised three young sons. Her father, Edward Tyler II, enslaved up to fourteen people. Elizabeth herself enslaved seven people whose labor sustained both the household and the farm. This forced labor enabled the production of textiles like this household linen. Eliza and/or enslaved laborers cultivated and processed flax into yarn for weaving. Historical records suggest that an unidentified enslaved woman played a key role in managing the household and supervising other enslaved laborers after Thomas’s death. In 1833, Eliza died from cholera, leaving behind three children under the age of eighteen. -
Towel, 1800-1825
Linen towel, hand-woven in a huckaback pattern, credited to Elizabeth Tyler Sturgeon. Elizabeth married Thomas Sturgeon in 1816. After he died in 1823, she managed their farm and raised three young sons. Her father, Edward Tyler II, enslaved up to fourteen people. Elizabeth herself enslaved seven people whose labor sustained both the household and the farm. This forced labor enabled the production of textiles like this towel. Eliza and/or enslaved laborers cultivated and processed flax into yarn for weaving. Historical records suggest that an unidentified enslaved woman played a key role in managing the household and supervising other enslaved laborers after Thomas’s death. In 1833, Eliza died from cholera, leaving behind three children under the age of eighteen. -
Pillowcase with drawn work edges, 1800-1825
Cotton pillowcase credited to Elizabeth Tyler Sturgeon. Elizabeth married Thomas Sturgeon in 1816. After he died in 1823, she managed their farm and raised three young sons. Her father, Edward Tyler II, enslaved up to fourteen people. Elizabeth herself enslaved seven people whose labor sustained both the household and the farm. This forced labor enabled the production of textiles like this pillowcase. As cotton wasn’t generally grown in Jefferson County, Kentucky, Elizabeth likely acquired already-made cotton fabric, cotton yarn, or raw unspun cotton from a local merchant. Drawn thread work is a form of counted-thread embroidery in which threads are removed from the warp or weft to create a decorative design. -
Basting spoon, circa 1800
Basting spoons were used to baste (pour juices or melted fat over meat during cooking in order to keep it moist), as well as for stirring and serving. Basting spoons were used often because of the large amount of meat that was consumed on the frontier. Early Kentucky pioneers had a deep reliance on meat (especially wild game like turkeys or buffalos). They continued to eat wild game as a primary source of food until the pioneers learned to farm in their new environment. As Euro-merican settlers learned how to develop stable food sources through farming and domesticated livestock, they began to hunt buffalo for sport, nearly driving the population into extinction. -
Iron Spider Pot, circa 1790
The spider pot was brought to Bourbon County, Kentucky, from Frederick County, Maryland, by the Liter family before 1800. During this period, cooking was the second leading cause of death for women. Overheating, skirts catching on fire, exhaustion, and infected burns were causes for serious injury or even death. Some frontier appliances made the job a bit safer. Due to the 'three-legged' nature of spider pots, it allowed them to sit right on the hearth over a bed of hot coals. The cook then used its long handle to safely remove the pot from the coals. -
Iron dutch oven, circa 1790
The Dutch oven and its hook were brought to Bourbon County, Kentucky, from Frederick County, Maryland, by the Liter family before 1800. In addition to many other household tasks, free and enslaved women prepared three meals a day for their household, working many hours over a cooking hearth without air conditioning or fans. They cultivated and prepared all ingredients themselves. Cooking was labor intensive and exhausting. The Dutch oven, despite its heavy weight, made cooking a bit easier. Dutch ovens were an important tool in the kitchen and were used similarly to ovens today. Dutch ovens were capable of baking, boiling, roasting, and frying, and good for cooking stews, breads, and cakes. -
Portrait of Jemima Pearsall Castleman
Jemima Pearsall Castleman married Johannes "Lewis" Castleman in Frederick, Virginia, in 1765, when she was approximately fifteen years of age. She was the mother of eight children that were born between 1770 and 1797. She came to the frontier with her husband sometime between 1787 and 1800. They lived on a farm along Clear Creek in Woodford County that included a tannery and a distillery that made apple brandy. The Castlemans enslaved ten persons in 1810 and eighteen persons in 1819. -
Portrait of Johannes Lewis Castleman (1744-1828)
Johannes "Lewis" Castleman was born in 1744 in Stone Arbria, Tryon County, in the English colony of New York. In 1765, he married Jemima Margaret Pearsall in Frederick, Virginia. He first appears in Kentucky records in 1787 in a petition that established Charlestown, and again in 1788 when Woodford County was carved out of Fayette County. He had a farm along Clear Creek, which included a tannery and a distillery that made apple brandy. He enslaved ten persons in 1810 and eighteen persons in 1819. -
Portrait of Samuel Oldham Churchill, circa 1845
Samuel Churchill moved from Virginia to Kentucky when he was eight years old. He owned 415 acres of land along Beargrass Creek. The Churchills enslaved thirty-six individuals whose labor created economic advantage and comfort for the family. He had an interest in horse breeding and was president of the Louisville Association for the Improvement of Breed of Horses. Samuel Churchill was one of seven founding trustees of the Oakland Racecourse in Louisville in early 1832, which was located on fifty-one acres of land purchased from Samuel and Abigail Churchill, as well as from other landholders. His sons, John and Henry, inherited land from Samuel, which they leased to his nephew Meriwether Lewis Clark Jr., founder of a new racecourse known today as Churchill Downs. -
Portrait of Abigail Oldham Churchill, circa 1845
Abigail Oldham Churchill came from a lineage of wealthy and prominent early Louisvillian settlers. She was just two years old when her father, Colonel William Oldham, died in the Battle of Wabash. Her mother, Penelope Pope, a twenty-two-year-old widow with four children, remarried into the Churchill family. In 1802, two weeks after her fourteenth birthday, Abigail married Samuel Churchill, her step-father's twenty-four-year-old brother. She gave birth to their first child when she was fifteen and had a child almost every other year over a span of thirty years. She had her last of fifteen children when she was forty-four years of age. -
Miniature portrait of Ann Booth Gwathmey, circa 1804-1805
Women experienced death and loss regularly on the frontier. Ann Booth Gwathmey (1782-1862) was no exception. The daughter of William A. and Rebecca Hite Booth, she migrated to Jefferson County, KY, with her family as a child. She married John Gwathmey in 1800 when she was eighteen years old, and he was twenty-six. She was nineteen years old when she gave birth to their first daughter, who died less than six weeks later. During the next twenty-five years, Ann lost both of her parents, two more pre-school aged children, and her husband. In her senior years, two of her adult children preceded her in death. See also the mourning necklace that belonged to her. The portrait is attributed to Benjamin Trott. -
Miniature portrait of John Gwathmey, circa 1804-1805
John Gwathmey (1774-1824) migrated to Jefferson County, KY, as a child with his parents Owen and Ann Clark Gwathmey. He married Ann Booth Gwathmey in 1800. He bought five acres near 6th and Cedar streets in Louisville, where he built a two-story brick house later known as the Grayson House. He operated the Indian Queen, a hotel at 6th and Main Streets, and an important social and civic hub in the city. In 1816, he sold his home and moved his family to New Orleans where he operated the Merchants Coffee House, the oldest coffee house in the city. In the era before photography, miniature portraits were popular mementos of loved ones that could be easily carried across long physical distances. The watercolor on ivory portraits were desired for the way artists could accurately capture a subject, working in such small dimensions. The portrait is attributed to Benjamin Trott.