Browse Items (30 total)

• 

  Red Cross Certificate, ca. 1918

  American Red Cross certificate given to Enid Bland Yandell, honoring her for her service to the United States of America.
• 

  Appui Aux Artistes pamphlet, 1914

  Appui Aux Artistes (Aid for Artists) pamphlet. Established by Enid Bland Yandell and four other women in August 1914. Appui Aux Artistes provided affordable meals for those involved in the arts and their families. Appui used American contacts to raise money for the organization.
• 

  The Branstock School Advertisement, 1911

  Advertisement for The Branstock found within "The Craftsman" journal. In 1907 Enid Bland Yandell founded Branstock, a summer art school that taught a variety of classes.
• 

  Bust of Emma Willard, 1898

  Bust of Emma Willard. The notation reads Public Library, Albany, New York.
• 

  Enid and nude in studio, n.d.

  Enid Bland Yandell painting or drawing a nude female figure, no date.
• 

  Carrie Brown Memorial Fountain. 1899

  Enid Bland Yandell poses in her studio in front of the plaster cast of the Carrie Brown Memorial Fountain. She is holding some of the tools used to sculpt the piece.
• 

  Enid Bland Yandell and Janet Scudder in studio, ca. 1891

  Enid Bland Yandell (center), Janet Scudder (left), and two other women pose on scaffolding in front of a caryatide in Lorado Taft's studio in Chicago. Enid along with Janet worked in Taft's studio together during the World's Columbian Exposition, better known as the 1893 Chicago World's Fair.
• 

  Enid Bland Yandell in ball gown, n.d.

  Enid Bland Yandell in ball gown (costume) standing before an ornate throne. Possibly when she was crowned the Queen of the carnival as part of pagenants and entertainments of the Satellies of Mercury.
• 

  Enid Bland Yandell and friends, ca. 1900

  Enid Bland Yandell (center) stands with a group of women in the woods. All the women are holding bouquets of flowers.
• 

  Enid Yandell with Red Cross, ca. 1917

  Enid Bland Yandell, (seated, third from the right) sits with fellow Red Cross members at the Debarkation Records Department in New Jersey.
• 

  Enid Yandell and Geysa de Braunecker in France, ca. 1895

  Enid Bland Yandell and Baroness Geysa Hortense de Braunecker pose with a bicycle in the French countryside. Enid is on the right holding a bicyle, and Geysa Hortense de Braunecker is holding a dog. Both women are wearing hats.
• 

  Enid Yandell and Geysa de Braunecker in studio, ca. 1898

  Enid Bland Yandell and Baroness Geysa Hortense de Braunecker with Mary Crosby Hunt bas relief [1898] posing in studio. The current location of this bas relief is unknown.
• 

  Frederick MacMonnies' Studio class, ca. 1895

  Enid Bland Yandell's painting class at Frederick MacMonnies' studio in Paris. Enid stands behind MacMonnies staring at the camera. Frederick William MacMonnies, an American, was one of the first sculptors to accept female students.
• 

  Enid and dogs, ca. 1890

  Enid Bland Yandell poses with her dogs in front of a house.
• 

  Color Theory of Watercolor and handwritten notes, n.d.

  Watercolor of color theory and had written notes created by Enid Bland Yandell. Date is unknown, but it was probably created during her time at the Art Academy of Cincinnati (1887-1889).
• 

  Still Life Watercolor, ca. 1887

  Watercolor still life and practice of color theory created by Enid Bland Yandell. Date is unknown, but it probably created during her time at the Art Academy of Cincinnati (1887-1889).
• 

  Enid Yandell's Studio Card, ca. 1891

  Page of Enid Bland Yandell's early career scrapbook. Enid actively documented her career by clipping articles that related to her and other sculptors works. This page shows a business card Enid created for a private viewing at her studio at 315 W. Broadway, Louisville, KY.
• 

  Page from early career scrapbook from Enid Yandell, ca. 1891

  Page of Enid Bland Yandell's early career scrapbook. Enid actively documented her career by clipping articles that related to her our other women sculptors. This page shows a Louisville Times article, "Miss Enid Yandell and her work" (Tuesday Evening, October 20, 1891).
• 

  Page from Early Career Scrapbook of Enid Yandell, 1891-1899

  A page from Enid Bland Yandell's early career scrapbook. Enid actively documented her career by clipping articles that related to her and other women sculptors. This page shows a Courier-Journal article, "Miss Yandell's Work in Paris" (1896). The article also includes an image of a statuette of Miss Elsie Yandell, and an image of Enid at work in her Paris studio
• 

  Figurines by Enid Yandell, ca. 1912

  Group of small figurines Enid created between 1897-1912 including: Bluebeard's Wife (1911), The Five Senses (ca. 1909), and the Fisher Boy and Mermaid tankard (1897).