The Filson Historical Society Digital Projects

Browse Items (30 total)

  • https://filsonhistorical.org/wp-content/uploads/2011.9_KY-State-Fair_Wimp_1924_web.jpg

    Framed original painted poster from the 1924 Kentucky State Fair which won the first place ribbon in the Women's Department, Art and Craft Section.
  • Toe on Egg .jpg

    Poster for the Louisville Ballet. The image depicts a ballet dancer's toe delicately balancing on an egg.
  • Earth 1.jpg

    Poster for Art Center Association featuring a nice table setting with earth worms on a plate.
  • Unbelievable Color.jpg

    Poster for the Hennegan Printing Company featuring a paintbrush made of crayons being dipped into a paint can.
  • Going to the Dogs.jpg

    Poster for the Kentucky Art & Craft Foundation featuring a poodle in sunglasses. The poster reads "Going to the Dogs: Shelter for the Discerning Canine."
  • Tin Can Buddha.jpg

    Poster photography and design by Julius Friedman. The poster depicts a piano on fire. The poster reads "Tin Can Buddha: Eighty-Eight Shades of Blue"
  • Stuck on You.jpg

    Poster for Images featuring various colors and sizes of buttons. Text of the poster reads "Stuck on You."
  • https://filsonhistorical.org/wp-content/uploads/MssCR_Redman__FoodIs_web.jpg

    Food conservation was encouraged on the home front. Poster designed by John E. Sheridan, (1880-1948). Sheridan created works for publications such as: The Saturday Evening Post, Collier’s Weekly, and Ladies’ Home Journal.
  • https://filsonhistorical.org/wp-content/uploads/MssCR_Redman_bloodorbread_web.jpg

    A haunting depiction of war’s realities used to encourage home front food conservation. The poster reads "Blood or Bread. Others are giving their blood. You will shorten the war- save life if you eat only what you need and waste nothing."
  • https://filsonhistorical.org/wp-content/uploads/MssCRsalvationarmylassie_web.jpg

    Helen Purviance of Huntington, Indiana served the first Salvation Army doughnut to a homesick doughboy in France on October 19, 1917. Her Hoosier hospitality caught on. Soon other “lassies” were serving 9,000 doughnuts per day to America’s boys “over there.” Printed in 1918 and designed by George M. Richards (1880-1958).
  • https://filsonhistorical.org/wp-content/uploads/PR2070.0057_web.jpg

    A non-combatant wearing Liberty Loan buttons. Designed by Gerrit A. Beneker (1882-1934) for the Victory Liberty Loan campaign, which was the fifth and final Liberty Loan drive. The “job” to be finished, was that of fund raising to pay for the war.
  • https://filsonhistorical.org/wp-content/uploads/PR2070.0060_web.jpg

    Poster for the Victory Liberty Loan campaign this one depicts a solider home from battle, embracing his family. By artist Alfred Everitt Orr (1886-)
  • https://filsonhistorical.org/wp-content/uploads/PR2070.0061_web.jpg

    Prior to WWI America’s army wasn’t the super power that it is today and was thought by much of the world to be weak. Here an American soldier unsubtly disproves this notion. Artist Vic Forsythe (1885-1962) worked for William Randolph Hearst at the New York Journal.
  • https://filsonhistorical.org/wp-content/uploads/PR2070.0063_web.jpg

    The American Committee for Relief in the Near East (ACRNE), as it was then known, raised funds for Middle Eastern and African countries. In the early 20th century nearly one thousand Americans volunteered to travel overseas and raised more than $100 million for direct relief. This specific poster refers to the Armenian genocide of 1915-1923.
  • https://filsonhistorical.org/wp-content/uploads/PR2070.0064_web.jpg

    Steeped in propaganda, Joseph Pennell’s (1872-1926) work for Fourth Liberty Loan depicted terror at America’s shores. Despite the fact that aircraft of the time weren’t making overseas journeys, the poster was effective—two million copies were printed and distributed
  • https://filsonhistorical.org/wp-content/uploads/PR2070.0068_web.jpg

    Illustration by M. Leone Bracker (1885-1937) of three smiling servicemen and bearing the inscription “Keep ’em Smiling! Help War Camp Community Service – Morale is Winning the War – American War Work Campaign.”
  • https://filsonhistorical.org/wp-content/uploads/PR2070.0069_web.jpg

    Successor of the “Gibson Girl,” Howard Chandler Christy’s (1873-1952) interpretation put his leading lady into wartime service for the United States Navy, Marines, and Red Cross, as seem here. Christy would become one of the Jazz Age’s most popular portrait painters
  • https://filsonhistorical.org/wp-content/uploads/PR2070.0070_web.jpg

    American Red Cross poster showing a nurse in the fore depicted in the style of Virgin Mary and an oversized red cross with text that reads “Make Our American Red Cross In Peace as in War — ‘The Greatest Mother in the World’ — Third Red Cross Roll Call Nov. 2-11, 1919.” Illustrated by A. E. (Alonzo Earl) Foringer, (1878-1948).
  • https://filsonhistorical.org/wp-content/uploads/PR2070.0071_web.jpg

    American Red Cross poster illustrated by Haskell Coffin (1878–1941). Features a Red Cross nurse with outstretched hands. Text reads “Third Red Cross Roll Call”
  • https://filsonhistorical.org/wp-content/uploads/PR2070.0073_web.jpg

    The war opened a variety of employment opportunities to women. A 1918 YMCA “War Work for Women” pamphlet cited 1.5 million women engaged in “War Orders.” This YMCA poster by Clarence F. Underwood (1871-1929) illustrates a Signal Corps worker. Known as “Hello Girls” these women wore military uniforms and conformed to military law but were considered civilian military employees.
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