Browse Items (25 total)
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"Dear Old Pal of Mine," 1918
This piece tells of a soldier writing home to his "Dear Old Pal" and wishing to come home. The cover notes that the composer, Gitz Rice, was inspired to write this piece while on sentry duty in Ypres. -
"The Rose of No Man's Land," 1918
A Leo Feist song by Jack Caddigan and James A. Brennan supporting Red Cross nurses during World War I. -
"When You Look in the Heart of a Rose," 1918
A piece from the Edwardian musical comedy The Better 'Ole or The Romance of "Old Bill." Based on the cartoon character "Old Bill," the musical depicts him intercepting a spy's plan and saving the men in danger. His actions are briefly misunderstood, resulting in his arrest, but in the end he is freed and given a medal for his bravery. The cover image depicts Arthur Bouchier portraying Old Bill. -
Allied observation balloon
A balloon of the type used by the Allied forces in observing enemy placements and movements. -
And they thought we couldn't fight : Victory Liberty Loan
Prior to WWI America’s army wasn’t the super power that it is today and was thought by much of the world to be weak. Here an American soldier unsubtly disproves this notion. Artist Vic Forsythe (1885-1962) worked for William Randolph Hearst at the New York Journal. -
Back our girls over there - YWCA
The war opened a variety of employment opportunities to women. A 1918 YMCA “War Work for Women” pamphlet cited 1.5 million women engaged in “War Orders.” This YMCA poster by Clarence F. Underwood (1871-1929) illustrates a Signal Corps worker. Known as “Hello Girls” these women wore military uniforms and conformed to military law but were considered civilian military employees. -
Children in a production of Cinderella, 1918
Plays were a popular activity for the youth at The Cabbage Patch; the girls created elaborate costumes for this production of Cinderella in 1918 -
Destruction at Fère-en-Tardenois, ca. 1918
Several men and a horse stand amid destroyed buildings in the town of Fère-en-Tardenois. [July] 1918 -
For Home and Country
Poster for the Victory Liberty Loan campaign this one depicts a solider home from battle, embracing his family. By artist Alfred Everitt Orr (1886-) -
For your boy : United War Work Campaign : November 11-18, 1918
Artist Arthur William Brown (1881-1966) illustrated for the Saturday Evening Post and created illustrations for the short stories of authors like F. Scott Fitzgerald and Sinclair Lewis. This poster was produced by the Committee of Public Information’s Division of Pictorial Publicity. -
French soldiers before German gun emplacement
A French soldier guarding a captured German gun emplacement for a large piece of artillery, possibly the 419mm caliber howitzer mortar gun known as the "Big Bertha." -
Informational card for the Woman's Committee, Council of National Defense, 1918
Informational card completed by Clara Gibson for the Woman's Committee, Council of National Defense. -
Keep 'em smiling! Help War Camp Community Service.
Illustration by M. Leone Bracker (1885-1937) of three smiling servicemen and bearing the inscription “Keep ’em Smiling! Help War Camp Community Service – Morale is Winning the War – American War Work Campaign.” -
Lest We Perish
The American Committee for Relief in the Near East (ACRNE), as it was then known, raised funds for Middle Eastern and African countries. In the early 20th century nearly one thousand Americans volunteered to travel overseas and raised more than $100 million for direct relief. This specific poster refers to the Armenian genocide of 1915-1923. -
Louise Marshall
Louise Marshall Passport Photograph -
Louise Marshall Passport Photo
The passport photo of Louise Marshall from 1918. Louise Marshall was the founder of the Cabbage Patch Settlement House; she took a break from her work with the institution to join the Red Cross efforts in France after World War I. -
Oh Boy! That's the Girl!
Helen Purviance of Huntington, Indiana served the first Salvation Army doughnut to a homesick doughboy in France on October 19, 1917. Her Hoosier hospitality caught on. Soon other “lassies” were serving 9,000 doughnuts per day to America’s boys “over there.” Printed in 1918 and designed by George M. Richards (1880-1958).