The Filson Historical Society Digital Projects

Browse Items (25 total)

  • Informational card for the Woman's Committee, Council of National Defense (A G448 5).jpg

    Informational card completed by Clara Gibson for the Woman's Committee, Council of National Defense.
  • ClaraCliff_5x7.jpg
  • Large map 976.991 S648 1918_Camp Taylor and vicinity.jpg
  • https://filsonhistorical.org/wp-content/uploads/Mss_BJ_C112_97_Marshall_passport_young-1.jpg

    Louise Marshall Passport Photograph
  • https://filsonhistorical.org/wp-content/uploads/PR2070.0075_web.jpg

    YMCA poster featuring the portrait of General John J. Pershing by S.J. Wauk. Text reads “‘A sense of obligation for the varied and useful service rendered to the army in France by the Y.M.C.A. prompts me to join in the appeal for its further financial support. I have opportunity to observe its operations, measure the quality of its personnel and mark its beneficial influences upon our troops, and I wish unreservedly to commend its work for the Army.’ – Pershing — United War Work Campaign – November 11-18, 1918”. Text below image states “Message was cabled from France on August 21, 1918”. This poster was produced by the Committee of Public Information’s Division of Pictorial Publicity.
  • https://filsonhistorical.org/wp-content/uploads/PR2070.0074_web.jpg

    Artist Arthur William Brown (1881-1966) illustrated for the Saturday Evening Post and created illustrations for the short stories of authors like F. Scott Fitzgerald and Sinclair Lewis. This poster was produced by the Committee of Public Information’s Division of Pictorial Publicity.
  • https://filsonhistorical.org/wp-content/uploads/PR2070.0073_web.jpg

    The war opened a variety of employment opportunities to women. A 1918 YMCA “War Work for Women” pamphlet cited 1.5 million women engaged in “War Orders.” This YMCA poster by Clarence F. Underwood (1871-1929) illustrates a Signal Corps worker. Known as “Hello Girls” these women wore military uniforms and conformed to military law but were considered civilian military employees.
  • https://filsonhistorical.org/wp-content/uploads/PR2070.0068_web.jpg

    Illustration by M. Leone Bracker (1885-1937) of three smiling servicemen and bearing the inscription “Keep ’em Smiling! Help War Camp Community Service – Morale is Winning the War – American War Work Campaign.”
  • https://filsonhistorical.org/wp-content/uploads/PR2070.0064_web.jpg

    Steeped in propaganda, Joseph Pennell’s (1872-1926) work for Fourth Liberty Loan depicted terror at America’s shores. Despite the fact that aircraft of the time weren’t making overseas journeys, the poster was effective—two million copies were printed and distributed
  • https://filsonhistorical.org/wp-content/uploads/PR2070.0063_web.jpg

    The American Committee for Relief in the Near East (ACRNE), as it was then known, raised funds for Middle Eastern and African countries. In the early 20th century nearly one thousand Americans volunteered to travel overseas and raised more than $100 million for direct relief. This specific poster refers to the Armenian genocide of 1915-1923.
  • https://filsonhistorical.org/wp-content/uploads/PR2070.0061_web.jpg

    Prior to WWI America’s army wasn’t the super power that it is today and was thought by much of the world to be weak. Here an American soldier unsubtly disproves this notion. Artist Vic Forsythe (1885-1962) worked for William Randolph Hearst at the New York Journal.
  • https://filsonhistorical.org/wp-content/uploads/PR2070.0060_web.jpg

    Poster for the Victory Liberty Loan campaign this one depicts a solider home from battle, embracing his family. By artist Alfred Everitt Orr (1886-)
  • https://filsonhistorical.org/wp-content/uploads/PR2070.0057_web.jpg

    A non-combatant wearing Liberty Loan buttons. Designed by Gerrit A. Beneker (1882-1934) for the Victory Liberty Loan campaign, which was the fifth and final Liberty Loan drive. The “job” to be finished, was that of fund raising to pay for the war.
  • https://filsonhistorical.org/wp-content/uploads/MssCRsalvationarmylassie_web.jpg

    Helen Purviance of Huntington, Indiana served the first Salvation Army doughnut to a homesick doughboy in France on October 19, 1917. Her Hoosier hospitality caught on. Soon other “lassies” were serving 9,000 doughnuts per day to America’s boys “over there.” Printed in 1918 and designed by George M. Richards (1880-1958).
  • https://filsonhistorical.org/wp-content/uploads/Mss_SM_14_0674a.jpg
  • https://filsonhistorical.org/wp-content/uploads/Mss_SM_08_0435a.jpg
  • https://filsonhistorical.org/wp-content/uploads/SM_25_1246_web.jpg

    This piece tells of a soldier writing home to his "Dear Old Pal" and wishing to come home. The cover notes that the composer, Gitz Rice, was inspired to write this piece while on sentry duty in Ypres.
  • https://filsonhistorical.org/wp-content/uploads/SM_25_1238_web.jpg

    A piece from the Edwardian musical comedy The Better 'Ole or The Romance of "Old Bill." Based on the cartoon character "Old Bill," the musical depicts him intercepting a spy's plan and saving the men in danger. His actions are briefly misunderstood, resulting in his arrest, but in the end he is freed and given a medal for his bravery. The cover image depicts Arthur Bouchier portraying Old Bill.
  • https://filsonhistorical.org/wp-content/uploads/SM_25_1209_web.jpg

    A Leo Feist song by Jack Caddigan and James A. Brennan supporting Red Cross nurses during World War I.
  • https://filsonhistorical.org/wp-content/uploads/007PC28_0133.jpg

    The ruins of a French town damaged by fighting during World War I.
Output Formats

atom, dcmes-xml, json, omeka-xml, rss2