Statue of Pallas Athena outside the Parthenon, displayed at the Tennessee Centennial Exposition in Nashville, Tennessee. The statue was twenty-five feet tall (forty feet with the base) and became the symbol of the Exposition. It was an exact copy of the "Pallas de Velletrie" in the Louvre and was produced in staff, a combination of plaster, hemp, and cement. It eventually fell apart due to outdoor exposure. Today limited images exist of the full statue, including this one housed at the Filson.
Enid Bland Yandell in ball gown (costume) standing before an ornate throne. Possibly when she was crowned the Queen of the carnival as part of pagenants and entertainments of the Satellies of Mercury.
Enid Bland Yandell and Baroness Geysa Hortense de Braunecker pose with a bicycle in the French countryside. Enid is on the right holding a bicyle, and Geysa Hortense de Braunecker is holding a dog. Both women are wearing hats.
Enid Bland Yandell and Baroness Geysa Hortense de Braunecker with Mary Crosby Hunt bas relief [1898] posing in studio. The current location of this bas relief is unknown.
Enid Bland Yandell's painting class at Frederick MacMonnies' studio in Paris. Enid stands behind MacMonnies staring at the camera. Frederick William MacMonnies, an American, was one of the first sculptors to accept female students.
Enid Bland Yandell poses in her Red Cross uniform holding one of her Birthday Beasts (also known as Wind in the Willows, 1926). Her small plaster titled The Pioneer (also known as Daniel Boone, 1924) plus one more beast sits on the table. Small, table sculptures were popular during the late 19th and early 20th century due to the rise of middle class incomes.
