Browse Items (23 total)

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  Enid and dogs, ca. 1890

  Enid Bland Yandell poses with her dogs in front of a house.
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  Enid with Birthday Beasts and The Pioneer, 1926

  Enid Bland Yandell poses in her Red Cross uniform holding one of her Birthday Beasts (also known as Wind in the Willows, 1926). Her small plaster titled The Pioneer (also known as Daniel Boone, 1924) plus one more beast sits on the table. Small, table sculptures were popular during the late 19th and early 20th century due to the rise of middle class incomes.
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  Frederick MacMonnies' Studio class, ca. 1895

  Enid Bland Yandell's painting class at Frederick MacMonnies' studio in Paris. Enid stands behind MacMonnies staring at the camera. Frederick William MacMonnies, an American, was one of the first sculptors to accept female students.
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  Enid Yandell and Geysa de Braunecker in studio, ca. 1898

  Enid Bland Yandell and Baroness Geysa Hortense de Braunecker with Mary Crosby Hunt bas relief [1898] posing in studio. The current location of this bas relief is unknown.
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  Enid Yandell and Geysa de Braunecker in France, ca. 1895

  Enid Bland Yandell and Baroness Geysa Hortense de Braunecker pose with a bicycle in the French countryside. Enid is on the right holding a bicyle, and Geysa Hortense de Braunecker is holding a dog. Both women are wearing hats.
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  Enid Yandell with Red Cross, ca. 1917

  Enid Bland Yandell, (seated, third from the right) sits with fellow Red Cross members at the Debarkation Records Department in New Jersey.
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  Enid Bland Yandell and friends, ca. 1900

  Enid Bland Yandell (center) stands with a group of women in the woods. All the women are holding bouquets of flowers.
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  Enid Bland Yandell in ball gown, n.d.

  Enid Bland Yandell in ball gown (costume) standing before an ornate throne. Possibly when she was crowned the Queen of the carnival as part of pagenants and entertainments of the Satellies of Mercury.
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  Pallas Athena, 1897

  Statue of Pallas Athena outside the Parthenon, displayed at the Tennessee Centennial Exposition in Nashville, Tennessee. The statue was twenty-five feet tall (forty feet with the base) and became the symbol of the Exposition. It was an exact copy of the "Pallas de Velletrie" in the Louvre and was produced in staff, a combination of plaster, hemp, and cement. It eventually fell apart due to outdoor exposure. Today limited images exist of the full statue, including this one housed at the Filson.
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  Enid Bland Yandell and Janet Scudder in studio, ca. 1891

  Enid Bland Yandell (center), Janet Scudder (left), and two other women pose on scaffolding in front of a caryatide in Lorado Taft's studio in Chicago. Enid along with Janet worked in Taft's studio together during the World's Columbian Exposition, better known as the 1893 Chicago World's Fair.
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  Carrie Brown Memorial Fountain. 1899

  Enid Bland Yandell poses in her studio in front of the plaster cast of the Carrie Brown Memorial Fountain. She is holding some of the tools used to sculpt the piece.
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  Statue of Hermes, 1889

  Front view of marble statue of Hermes, Enid's final project for the Art Academy of Cincinnati.
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  Victory Statue, 1903-1904

  Victory statue made of staff or plaster which was commissioned for the Louisiana Purchase Exposition in St. Louis, MO. Two identical versions were made - one of staff and one of plaster. The Municipal Museum in St. Louis, MO owns the plaster.
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  Hogan's Fountain, 1903-1904

  Detail of Pan and the terrapins on Hogan's Fountain in Cherokee Park.
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  The Five Senses Fountain, 1909

  The Five Senses Fountain at an unknown site. The fountain was cast in bronze and measured 7' H, 5'3" in diameter at the basin. This was one of two works which Yandell exhibited in the 1913 Armory Show.
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  Chief Ninigret Statue

  Enid Bland Yandell poses with model and sculpture of Indian Chief Ninigret. This was Enid's last major public commission which depicted the Niantic chief know for his peaceful relations with European settlers in his territory of Rhode Island. The model for the figure was a member of Buffalo Bill's Wild West Show, performing in Paris at the time. The finished work presently rests on a rock beside the bay in Watch Hill, Rhode Island. A version of Chief Ninigret was one of two works which Yandell exhibited in the 1913 Armory Show. The other work featured was the Five Sense Fountain.
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  Enid and nude in studio, n.d.

  Enid Bland Yandell painting or drawing a nude female figure, no date.
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  Bust of Emma Willard, 1898

  Bust of Emma Willard. The notation reads Public Library, Albany, New York.
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  Mademoiselle Deckert de la Meillaie. ca. 1904

  Half figure bust of Mademoiselle Deckert de la Meillaie with her hair pulled up on top of her head and a shawl wrapped around her bare shoulders. Her hand rests on the head of a dog. One of only two known portraits by Yandell in the half-figure format (the other is the 1907 likeness of Dr. Bull), this figure represents a French friend of Enid's. The painted plaster is part of the Speed Art Museum's collection and the marble version is part of The Fine Arts Museum of Nantes collection in Nantes, France.
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  Figurines by Enid Yandell, ca. 1912

  Group of small figurines Enid created between 1897-1912 including: Bluebeard's Wife (1911), The Five Senses (ca. 1909), and the Fisher Boy and Mermaid tankard (1897).