Browse Items (11 total)

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  Page from Early Career Scrapbook of Enid Yandell, 1891-1899

  A page from Enid Bland Yandell's early career scrapbook. Enid actively documented her career by clipping articles that related to her and other women sculptors. This page shows a Courier-Journal article, "Miss Yandell's Work in Paris" (1896). The article also includes an image of a statuette of Miss Elsie Yandell, and an image of Enid at work in her Paris studio
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  The Branstock School Advertisement, 1911

  Advertisement for The Branstock found within "The Craftsman" journal. In 1907 Enid Bland Yandell founded Branstock, a summer art school that taught a variety of classes.
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  Pages from Enid Yandell's Photograph Album, circa 1901

  Two pages from a photograph album created by Enid Yandell. Photograph album pages. Side One: works of Enid Bland Yandell including: a caryatid (1891-1892) created for the World's Columbian Exposition (Chicago World's Fair of 1893), a bust of Alfred Victor DuPont (1894), a bust of Landon Cabell Garland (1897), and two views of Enid's Daniel Boone statue in studio (1893). Side Two: The top left and bottom left sculptures are not identified. The right is Enid Yandell in a studio with two of her sculptures (a model of The Fisher Boy on the table and Allah-il-Allah to the right)
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  Enid and nude in studio

  Undated photograph of Enid Bland Yandell painting or drawing a nude female figure.
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  The Five Senses Fountain, 1909

  The Five Senses Fountain at an unknown site. The fountain was cast in bronze and measured 7' H, 5'3" in diameter at the basin. This was one of two works which Yandell exhibited in the 1913 Armory Show.
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  Victory Statue, 1903-1904

  Victory statue made of staff or plaster which was commissioned for the Louisiana Purchase Exposition in St. Louis, MO. Two identical versions were made - one of staff and one of plaster. The Municipal Museum in St. Louis, MO owns the plaster.
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  Carrie Brown Memorial Fountain, 1899

  Enid Bland Yandell poses in her studio in front of the plaster cast of the Carrie Brown Memorial Fountain. She is holding some of the tools used to sculpt the piece.
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  Enid Bland Yandell and Janet Scudder in studio, circa 1891

  Enid Bland Yandell (center), Janet Scudder (left), and two other women pose on scaffolding in front of a caryatide in Lorado Taft's studio in Chicago. Enid along with Janet worked in Taft's studio together during the World's Columbian Exposition, better known as the 1893 Chicago World's Fair.
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  Enid Yandell and Geysa de Braunecker in studio, circa 1898

  Enid Bland Yandell and Baroness Geysa Hortense de Braunecker with Mary Crosby Hunt bas relief [1898] posing in studio. The current location of this bas relief is unknown.
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  Frederick MacMonnies' Studio class, circa 1895

  Enid Bland Yandell's painting class at Frederick MacMonnies' studio in Paris. Enid stands behind MacMonnies staring at the camera. Frederick William MacMonnies, an American, was one of the first sculptors to accept female students.
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  Enid with Birthday Beasts and The Pioneer, 1926

  Enid Bland Yandell poses in her Red Cross uniform holding one of her Birthday Beasts (also known as Wind in the Willows, 1926). Her small plaster titled The Pioneer (also known as Daniel Boone, 1924) plus one more beast sits on the table. Small, table sculptures were popular during the late 19th and early 20th century due to the rise of middle class incomes.