Browse Items (131 total)
-
Portrait of "Fanny" Frances Latham Slaughter
"Fanny" Frances Latham Slaughter was a wife and a mother who had strong ties with her family as seen through letters sent to her daughter and other relatives. "Time passes away tedious and heavy" writes Frances Latham Slaughter to her daughter (who left home) on 12 October 1816. Women who were separated from family and friends often experienced loneliness on the frontier. -
Miniature portrait of Ann Rogers Clark Gwathmey
In the era before photography, miniature portraits were popular mementos of loved ones that could be easily carried across long physical distances. The watercolor on ivory portraits were desired for the way artists could accurately capture a subject, working in such small dimensions. Ann Rogers Clark Gwathmey (1755-1822) was the sister of George Rogers Clark and William Clark. She was married to Owen Gwathmey. She and her husband moved to Louisville with at least five of their twelve children in 1797. They purchased 335 acres and built a home near Harrod's Creek, east of Louisville not very far from her sister Lucy Croghan's home at Locust Grove. The proximity to her sister and other family members ensured that Ann had a strong social network to rely on. The Gwathmeys enslaved twenty individuals on their estate, whose labor created economic advantage and comfort for the family. -
Miniature portrait of John Gwathmey
John Gwathmey (1774-1824) migrated to Jefferson County, KY, as a child with his parents Owen and Ann Clark Gwathmey. He married Ann Booth Gwathmey in 1800. He bought five acres near 6th and Cedar streets in Louisville, where he built a two-story brick house later known as the Grayson House. He operated the Indian Queen, a hotel at 6th and Main Streets, and an important social and civic hub in the city. In 1816, he sold his home and moved his family to New Orleans where he operated the Merchants Coffee House, the oldest coffee house in the city. In the era before photography, miniature portraits were popular mementos of loved ones that could be easily carried across long physical distances. The watercolor on ivory portraits were desired for the way artists could accurately capture a subject, working in such small dimensions. -
Miniature portrait of Ann Booth Gwathmey
Women experienced death and loss regularly on the frontier. Ann Booth Gwathmey (1782-1862) was no exception. The daughter of William A. and Rebecca Hite Booth, she migrated to Jefferson County, KY, with her family as a child. She married John Gwathmey in 1800 when she was eighteen years old, and he was twenty-six. She was nineteen years old when she gave birth to their first daughter, who died less than six weeks later. During the next twenty-five years, Ann lost both of her parents, two more pre-school aged children, and her husband. In her senior years, two of her adult children preceded her in death. See also the mourning necklace that belonged to her. -
Sheet, 1800-1825
Sheet belonging to Elizabeth Tyler Sturgeon. Elizabeth married Thomas Sturgeon in 1816, who died only seven years into their marriage. Elizabeth then took on the responsibility of managing their farm while also raising her three young sons. Elizabeth enslaved seven people who provided crucial labor that contributed to the success of the farm and household. After her husband died, an unidentified enslaved woman helped Elizabeth manage the farm. In 1833, Eliza died from cholera, leaving her three sons, all under the age of eighteen, to live with her brother. -
Bars quilt
Quilt belonging to Elizabeth Tyler Sturgeon. The quilt has strips of hand-woven cloth believed to have been made locally in Jefferson County, Kentucky, alternating with a commercial indigo print that was imported into the United States. The quilt, the oldest quilt in the Filson's collection, is more than 100 inches long on each side and was completely hand-stitched. Eliza married Thomas Sturgeon in 1816, who died seven years into their marriage in 1822. Eliza then took on the responsibility of managing their farm in addition to rearing her three young sons. Eliza enslaved seven people who provided crucial labor for the success of the farm and household. After her husband died, an unidentified enslaved woman helped Eliza manage the farm. In 1833, Eliza died from cholera leaving her three sons, all under the age of eighteen, to live with her brother. -
Portrait of Elizabeth Wood Bayless
Elizabeth Wood Bayless was born in Germantown, Pennsylvania. She migrated to Mason County, Kentucky, with her family sometime within the first decade of Kentucky's statehood. Her father, George Wood, was a Revolutionary War Veteran who was one of the first Baptist preachers to settle in the region. Elizabeth married Benjamin Bayless in 1798 in Mason County, Kentucky. -
Portrait of Benjamin Bayless
Benjamin Bayless was born in Hartford County, Maryland, and migrated to Mason County, Kentucky, sometime withing the first decade of Kentucky's statehood. He married Elizabeth Wood in 1798. During the War of 1812, he sustained a lifelong injury. In 1815, he was appointed Sheriff of Mason County. The U. S. Census shows that he enslaved thirteen persons in 1820 and ten persons in 1830. -
Teaspoon, circa 1810
Early style teaspoon with egg-shaped bowl and slender handle widening to a modified coffin style. Undecipherable monogram on end of handle. "SA" stamped in rectangular cartouche. Also a winged eagle, looking left. -
Silver Ladle
Coin silver ladle made by Asa Blanchard, who was one of many skilled artisans who migrated from the eastern states to the Kentucky frontier. Blanchard worked under other silversmiths in Philadelphia and New York, which were highly competitive environments for artisans. The Ohio River Valley offered a new market and opportunity for career advancement. Within a single generation, Kentucky transitioned from a frontier community into a society that supported painters, furniture makers, silversmiths, and other artisans. As middle- and upper-class families obtained financial stability, they purchased luxury goods symbolic of their status. -
Portrait of Abigail Oldham Churchill
Abigail Oldham Churchill came from a lineage of wealthy and prominent early Louisvillian settlers. She was just two years old when her father, Colonel William Oldham, died in the Battle of Wabash. Her mother, Penelope Pope, a twenty-two-year-old widow with four children, remarried into the Churchill family. In 1802, two weeks after her fourteenth birthday, Abigail married Samuel Churchill, her step-father's twenty-four-year-old brother. She gave birth to their first child when she was fifteen and had a child almost every other year over a span of thirty years. She had her last of fifteen children when she was forty-four years of age. -
Portrait of Samuel Oldham Churchill
Samuel Churchill moved from Virginia to Kentucky when he was eight years old. He owned 415 acres of land along Beargrass Creek. The Churchills enslaved thirty-six individuals whose labor created economic advantage and comfort for the family. He had an interest in horse breeding and was president of the Louisville Association for the Improvement of Breed of Horses. Samuel Churchill was one of seven founding trustees of the Oakland Racecourse in Louisville in early 1832, which was located on fifty-one acres of land purchased from Samuel and Abigail Churchill, as well as from other landholders. His sons, John and Henry, inherited land from Samuel, which they leased to his nephew Meriwether Lewis Clark Jr., founder of a new racecourse known today as Churchill Downs. -
Albert Melverton
Hand-drawn paper doll and three outfits.
These dolls were created by Kentucky artist Carrie Douglas Dudley Ewen and were often given as gifts to the children in her family. Many of the dolls have notes on their backs recording their names and ages. -
Bengie Melverton
Hand-drawn paper doll and three outfits.
These dolls were created by Kentucky artist Carrie Douglas Dudley Ewen and were often given as gifts to the children in her family. Many of the dolls have notes on their backs recording their names and ages. -
Bengie's Accessories
Four hand-drawn outfits for "Bengie Melverton" paper doll.
These dolls were created by Kentucky artist Carrie Douglas Dudley Ewen and were often given as gifts to the children in her family. Many of the dolls have notes on their backs recording their names and ages. -
Clara Melverton
Hand-drawn paper doll and one outfit.
These dolls were created by Kentucky artist Carrie Douglas Dudley Ewen and were often given as gifts to the children in her family. Many of the dolls have notes on their backs recording their names and ages. -
Clara's Accessories (page1)
Two hand-drawn outfits for "Clara Melverton" paper doll.
These dolls were created by Kentucky artist Carrie Douglas Dudley Ewen and were often given as gifts to the children in her family. Many of the dolls have notes on their backs recording their names and ages. -
Clara's Accessories (page2)
Two hand-drawn outfits for "Clara Melverton" paper doll.
These dolls were created by Kentucky artist Carrie Douglas Dudley Ewen and were often given as gifts to the children in her family. Many of the dolls have notes on their backs recording their names and ages. -
Evelyn Russell Melverton
Hand-drawn paper doll and one outfit.
These dolls were created by Kentucky artist Carrie Douglas Dudley Ewen and were often given as gifts to the children in her family. Many of the dolls have notes on their backs recording their names and ages. -
Evelyn's Accessories (page1)
Four hand-drawn outfits for "Evelyn Russell Melverton" paper doll.
These dolls were created by Kentucky artist Carrie Douglas Dudley Ewen and were often given as gifts to the children in her family. Many of the dolls have notes on their backs recording their names and ages.