Browse Items (163 total)
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Bars quilt
Quilt belonging to Elizabeth Tyler Sturgeon. The quilt has strips of hand-woven cloth believed to have been made locally in Jefferson County, Kentucky, alternating with a commercial indigo print that was imported into the United States. The quilt, the oldest quilt in the Filson's collection, is more than ten feet long on each side and was completely hand-stitched. Eliza married Thomas Sturgeon in 1816, who died seven years into their marriage in 1822. Eliza then took on the responsibility of managing their farm in addition to rearing her three young sons. Eliza enslaved sevem people who provided crucial labor for the success of the farm and household. After her husband died, an unidentified enslaved woman helped Eliza manage the farm. In 1833, Eliza died from cholera leaving her three sons, all under the age of eighteen, to live with her brother. -
Hank of wool
Hank of wool from Buchanan, Kentucky. Sheep were among the early domesticated animals brought to Kentucky. Home production of wool increased during the Revolutionary War and the War of 1812 due to trade embargos. Wool was often woven with cotton or hemp in early Kentucky textiles. Wool was also used in clothing. -
Empire Wedding Dress
Early silk empire style wedding dress. Empire dresses emerged in the early 19th century and rapidly became fashionable across Europe (particularly England). -
Teaspoon
Early style teaspoon with egg-shaped bowl and slender handle widening to a modified coffin style. Undecipherable monogram on end of handle. "SA" stamped in rectangular cartouche. Also a winged eagle, looking left. -
Multicolored Silk Dress
Silk dresses of the early 19th century embodies the period between the whiteness of dresses of the early Regency gowns and the decorative frills and flounces of the 1810s. This dress belonged to a woman of the McNair -Anderson family. -
Brown and White Cotton Dress
This cotton dress is a great example of the changes (simplified, 'natural' dresses) occurring in women's fashion in the late 18th century to early 19th century. 'Naturalness' in this context refers to the use of lightweight , easily washable materials (like muslin, cotton, linen, poplin, and batiste) for dresses. -
Blue Empire Dress
Empire dresses emerged in the early 19th century and rapidly became fashionable across Europe (particularly England). -
Ann Clark Shawl
This shawl is said to have belonged to Ann Rogers Clark Gwathmey (1755-1822). See also 1943.5.1 (miniature portrait). Paisley Shawls were a luxury item worn by affluent women. Paisley, as a style, didn't get its name until the 1830s-40s, named after the Scottish town that began to reproduce designs copied from textiles that were originally imported from India. The pin and cone design motifs had their origins from Indo-Iranian people in Persia. Luxurious textiles from India were in high demand among the upper class and often can be seen in portraits of affluent women. By the mid 18th century, England's East India Company was importing shawls to London. In the early 1800s, Scottish mills began producing their own version of the highly sought after shawls, which made them more accessible to the rising middle class. -
Abigail Prather Churchill, needlework sampler
Samplers were a staple in the education of girls, designed to teach needlework skills needed for household duties. Samples could be symbolic of the girl's culture, religion, social class, or personal accomplishments. Sampler making was seen as the ground work for civic, social, and familial responsibility. This was made by Abigail Prather Churchill the daughter of Abigail Pope Oldham Churchill (1789-1854), around age 11-13 at Nazareth Academy (which is near Bardstown, KY). -
Mary Ann Logan, needlework sampler
This sampler was made by Mary Ann Logan in Shakertown, Kentucky. Samplers were a staple in the education of girls. The samplers were designed to teach needlework skills needed for household duties and could be a symbol of the girl's culture, religion, social class, and personal accomplishments. Sampler making was seen as the ground work for civic, social, and familial responsibility. -
Darning Sampler
This darning sampler is a great example of the various embroidery techniques that young girls were expected to learn and be proficient in. Samplers were a staple in the education of girls. The samplers were designed to teach needlework skills needed for household duties and could be a symbol of the girl's culture, religion, social class, and personal accomplishments. Sampler making was seen as the ground work for civic, social, and familial responsibility. -
Linen Sheet
According to family narrative, this bed sheet was made by an enslaved weaver using flax that was grown on Dabney Carr Overton's farm in Fayette County, Kentucky. In 1830, Overton enslaved thirty-two persons, including twenty female children and adults. Enslaved women were skilled spinners, weavers, and seamstresses, whose skills provided comfort for the families that enslaved them. -
Linen and Cotton Sheet
An 'M's & O's' patterned sheet made of linen and cotton. The family narratives for this linen sheet states that it was made in 1816 by Betsy Breckinridge Meredith, sister of John Breckinridge. Family narrative also states the flax was grown, spun, and woven by enslaved persons on the Winton Plantation. It may be that Elizabeth supervised work done by enslaved craftspeople. Enslaved women were skilled spinners, weavers, and seamstress on the frontier. -
Piece of Tow Linen
A piece of tow linen (has a coarse texture) used for a bedtick, a bag shaped mattress stuffed with feathers and straw. Both free and enslaved women were responsible for the production of all household linens. Young girls were taught to sew and knit at a young age, as it was a vital skill for life on the frontier. -
Coverlet
Raised embroidery whitework (also known as candle wicking) coverlet with a tufted basket and grape design. The family narrative states the coverlet was homespun from cotton grown on the farm of James Nicholls and Margaret Randolph Nicholls in Muhlenberg County, Kentucky. Whitework textiles were most prevalent in Kentucky between 1800 and the 1830s, and typically made by teenage girls. Elizabeth Randolph Nicholls Godman was aged fifteen when she made this coverlet. -
Sheet
Sheet belonging to Elizabeth Tyler Sturgeon. Elizabeth married Thomas Sturgeon in 1816, who died only seven years into their marriage. Elizabeth then took on the responsibility of managing their farm while also raising her three young sons. Elizabeth enslaved seven people who provided crucial labor that contributed to the success of the farm and household. After her husband died, an unidentified enslaved woman helped Elizabeth manage the farm. In 1833, Eliza died from cholera, leaving her three sons, all under the age of eighteen, to live with her brother. -
Sheet
Sheet belonging to Elizabeth Tyler Sturgeon. Elizabeth married Thomas Sturgeon in 1816, who died only seven years into their marriage. Elizabeth then took on the responsibility of managing their farm while also raising her three young sons. Elizabeth enslaved seven people who provided crucial labor that contributed to the success of the farm and household. After her husband died, an unidentified enslaved woman helped Elizabeth manage the farm. In 1833, Eliza died from cholera, leaving her three sons, all under the age of eighteen, to live with her brother. -
Linen Coverlet
Linen coverlet belonging to Elizabeth Tyler Sturgeon. Elizabeth married Thomas Sturgeon in 1816, who died only seven years into their marriage. Elizabeth then took on the responsibility of managing their farm while also raising her three young sons. Elizabeth enslaved seven people who provided crucial labor that contributed to the success of the farm and household. After her husband died, an unidentified enslaved woman helped Elizabeth manage the farm. In 1833, Eliza died from cholera, leaving her three sons, all under the age of eighteen, to live with her brother. -
Bedcover (white on white)
Handwoven, linen bedcover belonging to Elizabeth Tyler Sturgeon. Elizabeth married Thomas Sturgeon in 1816, who died only seven years into their marriage. Elizabeth then took on the responsibility of managing their farm while also raising her three young sons. Elizabeth enslaved seven people who provided crucial labor that contributed to the success of the farm and household. After her husband died, an unidentified enslaved woman helped Elizabeth manage the farm. In 1833, Eliza died from cholera, leaving her three sons, all under the age of eighteen, to live with her brother. -
Bedspread (trapunto design)
Cotton bedspread belonging to Elizabeth Tyler Sturgeon. Elizabeth married Thomas Sturgeon in 1816, who died only seven years into their marriage. Elizabeth then took on the responsibility of managing their farm while also raising her three young sons. Elizabeth enslaved seven people who provided crucial labor that contributed to the success of the farm and household. After her husband died, an unidentified enslaved woman helped Elizabeth manage the farm. In 1833, Eliza died from cholera, leaving her three sons, all under the age of eighteen, to live with her brother.