Browse Items (23 total)
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Linen sheet, 1800-1825
Hand-woven linen sheet credited to Elizabeth Tyler Sturgeon. Elizabeth married Thomas Sturgeon in 1816. After he died in 1823, she managed their farm and raised three young sons. Her father, Edward Tyler II, enslaved up to fourteen people. Elizabeth herself enslaved seven people whose labor sustained both the household and the farm. This forced labor enabled the production of textiles like this sheet. It is made from two thirty-eight-inch-wide panels that were hand-sewn together. The edges are unfinished. Eliza and/or enslaved laborers cultivated and processed flax into yarn for weaving. Historical records suggest that an unidentified enslaved woman played a key role in managing the household and supervising other enslaved laborers after Thomas’s death. In 1833, Eliza died from cholera, leaving behind three children under the age of eighteen. -
Coverlet, circa 1816
Raised embroidery whitework (also known as candle wicking) coverlet with a tufted basket and grape design. The family narrative states the coverlet was homespun from cotton grown on the farm of James Nicholls and Margaret Randolph Nicholls in Muhlenberg County, Kentucky. Whitework textiles were most prevalent in Kentucky between 1800 and the 1830s, and typically made by teenage girls. Elizabeth Randolph Nicholls Godman was aged fifteen when she made this coverlet. Likely the fiber for this coverlet was cultivated on the family farm. Elizabeth may have spun the fiber or taken it to a spinner (free or enslaved person), and then turned it over to a professional weaver in her community. Elizabeth would have then hand stitched the elaborate embroidered design. -
Strippy quilt
Strippy quilt credited to Elizabeth Tyler Sturgeon of Jefferson County, Kentucky. Elizabeth married Thomas Sturgeon in 1816. After he died in 1823, she managed their farm and raised three young sons. Her father, Edward Tyler II, enslaved up to fourteen people. Elizabeth herself enslaved seven people whose labor sustained both the household and the farm. This forced labor enabled the production of textiles like this quilt. Homespun fabric alone could not fulfill the amount of cloth needed by a single household. Fancy imported cloth was preferred for special textiles and dressier clothing. Fabric like the indigo printed calico used in this quilt was imported from Britain and sold by Kentucky merchants. The fabric was expensive as it was imported into Philadelphia, carried overland by wagon, and then floated down the Ohio River via flatboat to Louisville. Or it was transported up the Mississippi and Ohio rivers against the current, via man-powered keelboats or barges from the Port of New Orleans. Eliza supplemented this expensive fabric with a hand-woven overshot fabric that was frugally pieced together and perhaps upcycled from a previous textile, such as bed curtains, window curtains, or a dress.