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                  <text>Cartoonist Wallace Mathis was born in 1904 in Collierville, Tennessee. During his college years, he drew cartoons for Vanderbilt University’s humor magazine and yearbook. Although he pursued a career as a teacher at Louisville’s Rugby University School, his interest in drawing persisted. In 1933, he began publishing daily cartoons in Louisville’s Courier-Journal newspaper. The decade following the Stock Market Crash of 1929 was a time of economic stagnation and social turmoil. Mathis’s cartoons were created during this period and capture the spirit of Americans during the Great Depression. His single-panel cartoons depicted a character named “Rollin’ Stone,” described as a “philosophical tramp who commented on small-town happenings.” Rollin’ Stone was a down-to-earth character who was down on his luck, not unlike many Americans of the time. Rollin’ Stone was a regular feature in the Courier-Journal until 1941. The Filson has over 1,000 of the original pen and ink cartoons.</text>
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                  <text>Mathis, Wallace G., 1904-1981. Cartoons, 1933-1941</text>
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                  <text>This image is issued by The Filson Historical Society. Property rights in the collection belong to The Filson Historical Society. The user is responsible for copyright issues. Permission for use of this image for ANY reason should be obtained by contacting Filson's Curator of Collections via research@filsonhistorical.org.&#13;
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                <text>This image is issued by The Filson Historical Society. Property rights in the collection belong to The Filson Historical Society. The user is responsible for copyright issues. Permission for use of this image for ANY reason should be obtained by contacting Filson's Curator of Collections via research@filsonhistorical.org.</text>
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                  <text>Among the Filson’s cartoon collections, the World War II era is best documented in the work of Edwin Finch. Finch was born in 1895 in Norwood, Ohio near Cincinnati. As a young man he enlisted in the military and served during World War I, attaining the rank of sergeant. In the late 1930s he moved to Louisville, Kentucky to work as an artist for the Courier-Journal. The Filson has a large collection of his cartoons and other drawings. Of particular note are 113 of his original political cartoons dating from the height of the Second World War. Drawn in charcoal, these cartoons highlight both foreign and domestic concerns during the war, with many poking fun at the Nazis and their leader Adolf Hitler. This image gallery features a selection of Finch’s cartoons dating from 1943.</text>
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                  <text>Property rights in the collection belong to The Filson Historical Society. The Filson Historical Society can provide high-resolution scans of original source materials from its holdings for non-commercial and commercial use. To learn about this process, visit https://filsonhistorical.org/collections/order-reproductions/ </text>
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                <text>This image is issued by The Filson Historical Society. Property rights in the collection belong to The Filson Historical Society. The user is responsible for copyright issues. Permission for use of this image for ANY reason should be obtained by contacting Filson's Curator of Collections via research@filsonhistorical.org.</text>
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                  <text>Among the Filson’s cartoon collections, the World War II era is best documented in the work of Edwin Finch. Finch was born in 1895 in Norwood, Ohio near Cincinnati. As a young man he enlisted in the military and served during World War I, attaining the rank of sergeant. In the late 1930s he moved to Louisville, Kentucky to work as an artist for the Courier-Journal. The Filson has a large collection of his cartoons and other drawings. Of particular note are 113 of his original political cartoons dating from the height of the Second World War. Drawn in charcoal, these cartoons highlight both foreign and domestic concerns during the war, with many poking fun at the Nazis and their leader Adolf Hitler. This image gallery features a selection of Finch’s cartoons dating from 1943.</text>
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                  <text>Among the Filson’s cartoon collections, the World War II era is best documented in the work of Edwin Finch. Finch was born in 1895 in Norwood, Ohio near Cincinnati. As a young man he enlisted in the military and served during World War I, attaining the rank of sergeant. In the late 1930s he moved to Louisville, Kentucky to work as an artist for the Courier-Journal. The Filson has a large collection of his cartoons and other drawings. Of particular note are 113 of his original political cartoons dating from the height of the Second World War. Drawn in charcoal, these cartoons highlight both foreign and domestic concerns during the war, with many poking fun at the Nazis and their leader Adolf Hitler. This image gallery features a selection of Finch’s cartoons dating from 1943.</text>
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                  <text>Property rights in the collection belong to The Filson Historical Society. The Filson Historical Society can provide high-resolution scans of original source materials from its holdings for non-commercial and commercial use. To learn about this process, visit https://filsonhistorical.org/collections/order-reproductions/ </text>
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                <text>Christmas celebrations were short-lived in 1943. The world's attention could not be diverted from war for long. </text>
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                <text>This image is issued by The Filson Historical Society. Property rights in the collection belong to The Filson Historical Society. The user is responsible for copyright issues. Permission for use of this image for ANY reason should be obtained by contacting Filson's Curator of Collections via research@filsonhistorical.org.</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="1729">
                  <text>This image is issued by The Filson Historical Society. Property rights in the collection belong to The Filson Historical Society. The user is responsible for copyright issues. Permission for use of this image for ANY reason should be obtained by contacting Filson's Curator of Collections via research@filsonhistorical.org.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Clipping from &lt;em&gt;Service&lt;/em&gt; describing the opening of the gift shop at Jewish Hospital. The gift shop was operated by the Women's Guild of Jewish Hospital.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7020">
                <text>This image is issued by The Filson Historical Society. Property rights in the collection belong to The Filson Historical Society. The user is responsible for copyright issues. Permission for use of this image for ANY reason should be obtained by contacting Filson's Curator of Collections via research@filsonhistorical.org</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>Property rights in the collection belong to The Filson Historical Society. The Filson Historical Society can provide high-resolution scans of original source materials from its holdings for non-commercial and commercial use. To learn about this process, visit https://filsonhistorical.org/collections/order-reproductions/ </text>
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For reproduction inquiries- please visit https://filsonhistorical.org/special-collections/rights-and-reproductions/</text>
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                <text>Page from the papers of Melville Otter Briney of Louisville, Kentucky. On this page is pasted a streamer that reads "Votes for Women," accompanied by a note: "I was a page at Mrs. Snowden's lecture."  Otter is referring to the November 1915 lecture given by British feminist Ethel Snowden at the Masonic Theater in Louisville.</text>
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Thum returned to Louisville and established her first studio in her family's home at Floyd and Jacob Streets. Thum remained single and lived in the family home throughout her life. Her brother Mandeville became a successful doctor and provided a financial safety net for Thum, who found it difficult to earn an income from her art.&#13;
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Thum made and sold work for the commercial market. Capitalizing on the popularity of her flower paintings, she made images that were used as magazine, newspaper, and catalog illustrations.</text>
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                <text>This image is issued by The Filson Historical Society. Property rights in the collection belong to The Filson Historical Society. The user is responsible for copyright issues. Permission for use of this image for ANY reason should be obtained by contacting Filson's Curator of Collections via research@filsonhistorical.org.</text>
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                <text>Letter from Melissa Jackson to Loring Stow, May 4, 1859</text>
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                <text>Stow began to see the school in a more positive light as graduation approached. She wanted to be a teacher but expected her mother and older brother to oppose her aspirations. She taught in her hometown for several school terms in the early 1860s but quit teaching after her marriage in 1862.&#13;
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                <text>This image is issued by The Filson Historical Society. Property rights in the collection belong to The Filson Historical Society. The user is responsible for copyright issues. Permission for use of this image for ANY reason should be obtained by contacting Filson's Curator of Collections via research@filsonhistorical.org.</text>
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This collection is comprised of architectural drawings from D. X. Murphy &amp; Bro., most from the years 1880 to 1920. Additionally the collection includes records from the firm’s predecessor businesses: D. X. Murphy, Architect; Henry Whitestone, Architect; and Rogers and Whitestone, Architects. Types of projects include residential, religious, medical, governmental, commercial, industrial, and recreational facilities.  &#13;
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The Murphy brothers designed many Louisville-area residences and business buildings, as well as several Catholic schools and churches in Kentucky. They also designed the Jefferson County Jail, the original Jewish Hospital, and one of Louisville’s internationally known architectural works, the grandstand and twin spires at Churchill Downs. In 1962 D. X. Murphy became Luckett and Farley, Inc. and is still a thriving Louisville architectural firm today.  &#13;
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This collection is comprised of architectural drawings from D. X. Murphy &amp; Bro., most from the years 1880 to 1920. Additionally the collection includes records from the firm’s predecessor businesses: D. X. Murphy, Architect; Henry Whitestone, Architect; and Rogers and Whitestone, Architects. Types of projects include residential, religious, medical, governmental, commercial, industrial, and recreational facilities.  &#13;
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This collection is comprised of architectural drawings from D. X. Murphy &amp; Bro., most from the years 1880 to 1920. Additionally the collection includes records from the firm’s predecessor businesses: D. X. Murphy, Architect; Henry Whitestone, Architect; and Rogers and Whitestone, Architects. Types of projects include residential, religious, medical, governmental, commercial, industrial, and recreational facilities.  &#13;
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                  <text>D. X. Murphy &amp; Bro. Architectural Collection, 1854–1949</text>
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                  <text>D. X. Murphy &amp; Bro., Architects was a Louisville architectural firm. It grew out of the firm of architect Henry Whitestone, an Irish immigrant best remembered for designing the Galt House. In 1874, Whitestone hired Louisvillian D. X. (Dennis Xavier) Murphy (1853–1933), the son of Irish Immigrants, as a draftsman. When Whitestone retired in 1881, D. X. Murphy took control of the firm. In 1890, Murphy changed the name of the firm to D. X. Murphy &amp; Bro., Architects and made his brother, J. C. (James Cornelius) Murphy, a partner. Murphy’s younger brother, Peter J. Murphy, worked for the firm as well. &#13;
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The Murphy brothers designed many Louisville-area residences and business buildings, as well as several Catholic schools and churches in Kentucky. They also designed the Jefferson County Jail, the original Jewish Hospital, and one of Louisville’s internationally known architectural works, the grandstand and twin spires at Churchill Downs. In 1962 D. X. Murphy became Luckett and Farley, Inc. and is still a thriving Louisville architectural firm today.  &#13;
&#13;
This collection is comprised of architectural drawings from D. X. Murphy &amp; Bro., most from the years 1880 to 1920. Additionally the collection includes records from the firm’s predecessor businesses: D. X. Murphy, Architect; Henry Whitestone, Architect; and Rogers and Whitestone, Architects. Types of projects include residential, religious, medical, governmental, commercial, industrial, and recreational facilities.  &#13;
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                  <text>Mss. BB M978, D.X. Murphy &amp; Bro., Architects (Louisville, Ky.) Records, The Filson Historical Society, Louisville, Kentucky</text>
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                  <text>Property rights in the collection belong to The Filson Historical Society. The Filson Historical Society can provide high-resolution scans of original source materials from its holdings for non-commercial and commercial use. To learn about this process, visit https://filsonhistorical.org/collections/order-reproductions/ </text>
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                <text>Bonnie Bros. Distillery architectural drawing, 1910</text>
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                <text>This image is issued by The Filson Historical Society. Property rights in the collection belong to The Filson Historical Society. The user is responsible for copyright issues. Permission for use of this image for ANY reason should be obtained by contacting Filson's Curator of Collections via research@filsonhistorical.org.</text>
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                <text>Mss. BB M978 / Roll 440</text>
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